

Description
Everything burns with love. Hidden memories settle like a thin layer of ash. A love story about a fire, pieced together from audiotapes found at Udelny Market.
A programme of experimental films by young Russian and international filmmakers. Urban spaces emerge as materialized memory, preserving traces of human presence and historical time, while old cassettes and photographs come vividly to life on screen. These films explore how space shapes memory and perception, creating a dialogue between time, the body, and a sense of place. The works employ a wide range of media, from old digital cameras and video games to 8mm film.
SMALL PRIVATE PROPERTY
2024, Russia, 31 min., col., short-length
Director Natasha Lyutik
TAPE 200: В ДАЛИ ПЕРСИДСКОГО ЗАЛИВА
2025, Russia, 12 min., col., short-length
Director Anastasia Nikolaenko
WHITE EARTH, BLACK AIR
2025, Russia, 3 min., b/w, short-length
Director Nastasia Lapsha
OBLIVION
2024, Belarus, 19 min., col., short-length
Director Alex Hrytsevich
LANGUAGE DECAY
2025, USA, 3 min., col., short-length
Director Zazie Ray-Trapido
THE MARRIAGE OF HELL AND HEAVEN
2025, Russia-France, 18 min., col., short-length
Director Dmitry Lukyanov
CLOUD REEL
2024, Russia, 5 min., col., short-length
Director Mark Petrovitsky
Everything burns with love. Hidden memories settle like a thin layer of ash. A love story about a fire, pieced together from audiotapes found at Udelny Market.
The filmmaker bids farewell to her grandparents. Feelings, memories, and final words—echoes of love and a long life shared—linger among old belongings.
Russian premiere
A lone passenger is reflected in the windows of a train bound for Minsk, as shifting layers of visual textures pass by. During his absence, the city has remained unchanged: frozen streets, voices long gone, and old video games haunt his return.
Russian premiere
A diary film about a journey through the ever-changing Parisian landscape, seen through a barely discernible low-fi lens.
Russian premiere
Days spent by the filmmaker with her grandmother are captured on a broken camera and three rolls of film. The celluloid decays along with speech in a language foreign to Zazie.
The air is thick with moths and black midges. The frozen ground does not retain moisture at all. A man is resurrected, accompanied on his luminous path through the trees by the white god.
Russian premiere
Experimenting with clouds at dawn and in-camera editing.