The programme brings together seven short experimental films where celluloid is not merely a medium but a living, breathing fabric of the film. These works lack narrative logic: instead of a linear story, they offer fragments of gestures, landscapes, and sounds, bound together by rhythm, music, and inner pulsation.

Musicality permeates each film: dynamic montage set to electronic and acoustic motifs (Commute, A Slippage in Five Movements), sound collages where human breath, industrial noises, or the clatter of wheels become part of a collective score (Vibrant Matter, Sinking Feeling, Suspicions About the Hidden Realities of Air). Many works embrace ritualism: the camera repeats a gesture, returns to the same place or movement, as if performing a rite (II, Unstable Rocks). The urban environment intertwines with natural landscapes: railway tracks, bridges, industrial districts, empty rooms—juxtaposed with rocky shores, wind in the grass, and light gliding over water. The motif of a journey, often literally embodied in rails and train movement, becomes the image of an inner voyage.