{"id":37882,"date":"2025-10-13T19:22:21","date_gmt":"2025-10-13T16:22:21","guid":{"rendered":"https:\/\/message2man.com\/?p=37882"},"modified":"2025-10-13T19:26:10","modified_gmt":"2025-10-13T16:26:10","slug":"2025-sky-cinema-vibrant-matter","status":"publish","type":"post","link":"https:\/\/message2man.com\/en\/2025-sky-cinema-vibrant-matter\/","title":{"rendered":"About the program"},"content":{"rendered":"

\"About<\/a><\/p>\n

 <\/p>\n

The programme brings together seven short experimental films where celluloid is not merely a medium but a living, breathing fabric of the film. These works lack narrative logic: instead of a linear story, they offer fragments of gestures, landscapes, and sounds, bound together by rhythm, music, and inner pulsation.<\/p>\n

Musicality permeates each film: dynamic montage set to electronic and acoustic motifs (Commute<\/a>, A Slippage in Five Movements<\/a><\/i>), sound collages where human breath, industrial noises, or the clatter of wheels become part of a collective score (Vibrant Matter<\/a>, Sinking Feeling<\/a>, Suspicions About the Hidden Realities of Air<\/a><\/i>). Many works embrace ritualism: the camera repeats a gesture, returns to the same place or movement, as if performing a rite (II<\/a>, Unstable Rocks<\/a><\/i>). The urban environment intertwines with natural landscapes: railway tracks, bridges, industrial districts, empty rooms\u2014juxtaposed with rocky shores, wind in the grass, and light gliding over water. The motif of a journey, often literally embodied in rails and train movement, becomes the image of an inner voyage.<\/p>\n","protected":false},"excerpt":{"rendered":"

  The programme brings together seven short experimental films where celluloid is not merely a medium but a living, breathing fabric of the film. These works lack narrative logic: instead…<\/p>\n","protected":false},"author":3,"featured_media":37887,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[96],"tags":[],"annum":[129],"class_list":["post-37882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-curator-text","annum-129"],"acf":[],"_links":{"self":[{"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/posts\/37882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/comments?post=37882"}],"version-history":[{"count":4,"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/posts\/37882\/revisions"}],"predecessor-version":[{"id":37896,"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/posts\/37882\/revisions\/37896"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/media\/37887"}],"wp:attachment":[{"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/media?parent=37882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/categories?post=37882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/tags?post=37882"},{"taxonomy":"annum","embeddable":true,"href":"https:\/\/message2man.com\/en\/wp-json\/wp\/v2\/annum?post=37882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}